The poet as a creative human being, his creativity crystallises according to his sense of the peripheral stimulus which comes as a motive of the poetic experience. In addition to the psychological and intrinsic inspiration and inclination that stem from within the soul, especially when there is what stimulates or motivates to articulate and compose poetry, like desire, sorrow and agony or suffering. This study attempts to explain those motivations that typified a significant scope in the creativity of the poet, Faisal Al-Buraihi. The study has concluded that the psychological motive is an important factor in Al-Buraihi’s creative poetic experience. While the desire to articulate poetry, in addition to the talent and intrinsic inclination, all typify major factors of creativity in many texts of the poet’s poetic experience. In fact, most of the creative texts were motivated by talent, innate disposition, love for poetry and its recitation, pride in being a poet who seeks to bring his experience to maturity, and elevating it to the ranks of eminent poets.

This study attempts to reveal the beauty of the exit text from the Sulaymaniyah hour cycles and its esthetic features. It targets at the phenomenon of semantic imaginary displacement through the poetic self-attractions and the subject that headed to. It is based on the stylistic approach which aims at figuring the text distinctness through its basic elements. Such elements are distributed among six cycles that carry out the experiment movement of the selected text as in the following respectively: First Exit Cycle, Rebirth Response Cycle, Test Cycle, Hopelessness and Despair Cycle, Uncertainty Cycle and Last Exit Cycle

The co-text is based on a cultural context prevailing in a specific linguistic community, which causes it to play an important argumentative role in the literary discourse, depending on its semantic relationship in the sentence or the text that it clarifies. It is based on its deliberative function in directing the recipient intentional guidance in order to influence him to change his behavior and beliefs towards the issue at hand. To reveal this, this research deals with the co-text as contextual evidence tool evaluating argumentation in the literature of Ahmed Ibn Alwan and deals with its levels and argumentative dimensions and its contributions to the interpretation of the text and facilitate the task of understanding and interpretation to the recipient. The research concludes that the co-text in the literature of Sheikh Ahmed Ibn Alwan performs argumentative functions. The most important of which is that the co-text is argumentative context in the literary discourse, specifically in the speech of Sheikh Ahmed Ibn Alwan. This can come at the level of a word, a sentence and the level of discourse. This mechanism has contributed to the persuasion of the issue of hearing, the statement of the Muhammadian truth, the interpretation of some words, and established the argument on the recipient, and that the use of this mechanism makes the speaker implements his speeches, and causes them to submit to what he says by submission.