Dr. Irfan Abbasi is a well-known Tazkira Nigar of Urdu literature.When his Tazkira Nigari gained popularity and recognition, he began to contact poets from all over the country where Uttar Pradesh poets were present, and started collecting their biographical introductions and sample poetry. In this way, he compiled sketches and Tazkiras such as “Aap”, “Aap Hain”, “Aap The”, and "Shuara-e-Uttar Pradesh". “Aap” contains sketches and Tazkiras of fifty deceased poets related to the Lucknow School. “Aap Hain” contains biographical references, poetry, and pictures of existing poets from Uttar Pradesh. “Aap The” contains sketches and Tazkiras of poets from the towns of Awadh. Then the series of “Shuara-e-Uttar Pradesh” continues further. Approximately thirty-two volumes have been published, each containing fifty poets’ Tazkiras. Dr. Abbasi’s work in compiling authentic biographies, personal characteristics, selected poetry, birth and death years, as well as pictures of poets is of great importance to researchers. In particular, “Shuara-e-Uttar Pradesh” is a high-level and authentic research achievement by Dr. Abbasi that cannot be forgotten in the history of Urdu literature. One special feature of this Tazkira is that he did not focus only on important schools of Urdu but also searched for poets from towns, villages, hamlets, rural areas, and even unknown alleys whose poetry was valuable despite being far from literary circles1. Because generally researchers and scholars only cover big personalities. Dr. Abbasi has written several books on Tazkira Nigari including "Tazkira Nasr Nigaran-e-Urdu Uttar Pradesh" and "Tazkira-e-Shora-e-Uttar Pradesh". His works are highly regarded in the field of Urdu literature

In postmodern criticism, postcolonial theory of criticism is the most popular on the contemporary literary scene. Postcolonial studies are generally considered to be incorrect in identifying superficial political, cultural and resistance attitudes. However, its scope and foundation is based on the ideas of post-colonial thinkers. This literary criticism theory is based on the identification of supportive, hostile and dualistic attitudes towards colonialism in literature. It is a style of study that recognizes colonial ideology. Claims of European centralism are exposed. It brings out the justifications and strategies for establishing and maintaining the colonial system. It clarifies the dominant and subjugated cultural forces in the colonial countries. Explores the political oppression behind colonial narratives. Post-colonial studies include post-colonial criticism. In post-colonial criticism, all kinds of cultural, cultural, religious, anthropological, political, economic and educational relations between the colonizer and the colonized are studied in the light of literary texts. The text is analyzed in terms of resistance, reconciliation, empowerment, support, opposition and dualism. Thus, we see the scope of post-colonial studies and its basic concepts are extensive. Only after having a better knowledge of this theory of criticism can a critic reach better results by making this theory of criticism more relevant. This paper post-colonial theory. Criticism introduces, describes the scope and basic concepts.

Dr.Muhammad Rafiq Shahid has carefully observed the power, love, separation, sovereignty, beauty and attitudes in his novel “Adhi Siddi Adhi Mohabbat”. In thia novel he presented the buring feelings with comfort and abundance of emotions, rural life with hi technical skills. “Adhi siddi Adhi Mohabbat” is an important literary effort in terms of its breadth of subject matter, depth of approach and fundamentality of perspective. The story structure characterization and ending as a whole bring this literary effort of our artist to the important level of creativity. While reading, the language and diction, the dullness of the prose and the dull, unnecessary details, do not in any way detract from the intensity of the reader’s study.In this article presented the an intellectual and artistic study of the novel “Adhi Saddi Adhi Mohabbat”.